José Antonio Hernández-Díez, born in Caracas, Venezuela, 1964. Lives and works ind Barcelona, Spain

EDUCATION 1984 – 86

Centro de Formación Cinematográfica de Caracas, Venezuela

SOLO EXHIBITIONS 2017

2016
MACBA: Museu d’Art Contemporani de Barcelona, Barcelona, Spain

2015
(with Jorge Pedro Núñez), KaBe Contemporary, Miami, FL

2009
KaBe Contemporary, Miami, FL

2008
Transmission Gallery, Glasgow, Scotland

2007
Galeria Estrany – De La Mota, Barcelona, Spain

2006
Galeria Elba Benitez, Madrid, Spain

2005
Sandra Gering Gallery, New York, NY Sala Mendoza, Caracas, Venezuela

2004
Remixes, Galería Antony Estrany de la Mota, Barcelona, Spain Galeria Fortes Vilaça, Sao Paulo, Brazil

2003
AD HOC, Vigo, Spain
Site Santa Fe, Santa Fe, NM
New Museum of Contemporary Art, New York, NY

2002
Palm Beach Institute of Contemporary Art, Palm Beach, FL Sandra Gering Gallery, New York, NY
Galeria Elba Benítez, Madrid, Spain
Galeria Javier López, Madrid, Spain
INOVA, University of Wisconsin, Milwaukee, WI

2001
Galeria Enrique Guerrero, Mexico DF, Mexico

2000
Centro Galago de Arte Contemporanea (CGAC), Santiago de Compostela, Spain

1999
Galeria Antony Estrany de la Mota, Barcelona, Spain Galería Camargo Vilaça, Sao Paulo, Brazil

1998
Sala Mendoza, Caracas, Venezuela

1997
Galería Elba Benítez, Madrid, Spain

1996
Sandra Gering Gallery, NY Espacio 204, Caracas, Venezuela

1995
Galeria Camargo Vilaça, Sao Paulo, Brazil Sandra Gering Gallery, New York, NY

1991
San Guinefort y otras devociones, Sala RG, Caracas, Venezuela

Selected Group Exhibitions 2017

Colección “la Caixa” de Arte Contemporáneo, Lisbon, Portugal

 

2012
Impoliticos, Espacio de Arte Contemporáneo (EAC), Montevideo, Uruguay The Games: Inspiring Images, Connaught Brown, London, England

2011
Unresolved Circumstances: Video Art from Latin America, MOLAA/Museum of Latin American Art, Long Beach, CA

2010
Atopia: Art & the City in the 21st Century, CCCB/ Centre de Cultura Contemporània de Barcelo- na, Barcelona, Spain
Read Between the Lines, Centre d’art la Panera, Lleida, Spain
Risk Zones, The Museum of World Culture, Gothenburg, Sweden

2009
Dialogue: L’empathie des Parties – Afinitats Electives, Centre Regional d’Art Contemporain du Languedoc-Roussillon/CRAC a Sete, Sete, France
Los Impoliticos, PAN/Palazzo delle Arti Napoli, Napoli, Italy
Inventories, Galeria Estrany-de la Mota, Barcelona, Spain

2008 Risk Zones, Caixa Forum, Barcelona, Madrid
Elective Affinities, Centre d’Art la Panera, Lleida
Interludes, Galeria Estrany-de la Mota, Barcelona, Spain
Private Passions, Public Visions, MARCO/Museo de Arte Contemporanea de Vigo, Vigo, Spain

2007
Fortunate Objects: Selections from the Ella Fontanais Cisneros Collection, CIFO/Cisneros Fonta- nals Art Foundation, Miami, FL
The Deprived Life: Colleccion Josep Civit, Centro e Arte y Naturaleza, Huesca, Spain Cuestion Xe- racional, Centro Galego de Arte Contemporaneo, Santiago, Compostela, Spain
Jump Cuts: Venezuelan Contemporary Art Coleccion Mercantil, CIFO/Cisneros Fontanals Art Foundation, Miami, FL Fashion Accidentally, MOCA Taipei, Taiwan

2006
IFK Latin American Art Auction, CIFO/Cisneros Fontanals Art Foundation, Miami, FL
Natures Silencioses, Fundacion Ordonez-Falcon de fotografia, Centre d’Art la Panera, Lleida, Spain Galeria Estrany – De La Mota, Barcelona, Spain

2005
Jump Cuts: Venezuelan Contemporary Art Coleccion Mercantil, Americas Society, New York, NY

2003
The Structure of Survival, 50th Venice Bienale, curated by Carlos Basualdo Ninos, Centro de Arte de Salamanca, Salamanca, Spain

2002
Inaugural Exhibition, Palais de Tokyo, Paris, France
Optical Optimism, Galerie Simonne Stern, New Orleans, LA

2001
Ultra Baroque, aspects of Post Latin American Art, San Francisco Museum of Modern Art, San Francisco, CA
Perfect 10: Ten Years in Soho, Sandra Gering Gallery, New York, NY Arte all’Arte’01 – 6a Edición, Arte Continua Associazione Culturale, San Gimignano, Italy
Squatters, Museo Serralves, Porto, Portugal
Squatters, Witte de With Contemporary Art Centre, Rotterdam, The Netherlands
The Overexcited Body. Art & Sport in Contemporary Society, Geneva, Switzerland
Da Adversidade Vivemos, Musée d’Art Moderne de la Ville de Paris, Paris, France Megafino, Miami Beach, Convention Center, Miami, FL
Ultra Baroque, Aspects of Post Latin American Art, Modern Art Museum of Fort Worth, Fort Worth, TX

2000
The Carnegie International, The Carnegie Museum of Art, Pittsburgh, PA
Ultra Baroque: Aspects of Post-Latin American Art, Museum of Contemporary Art, San Diego, CA
Eztetyka del Sueño, MNCARS Palacio de Velázquez, Madrid, Spain

1999
A vueltas con los sentidos, Casa de America, Madrid, Spain
The Garden of the Forking Paths, travelling to Nordjyllands Kunstmuseum, Aalborg, Denmark; Edvsvik Konst & Kultur, Solothurn, Switzerland; Helsinki City Art Museum, Helsinki, Finland Spectacular Optical, CU Art Galleries, Boulder, CO

1998
Pasajes de la Colección en Santa Fe y Granada, Colección de Arte Contemporáneo Fundación “La Caixa”, Palacio de los Duques de Gandia, Granada, Spain
Amnesia, Christopher Grimes Gallery, Santa Monica, CA
Spectacular Optical, Thread Waxing Space, New York, NY, traveled to Museum of Contemporary Art, Miami, FL

1997
inSITE97, Tijuana, México; San Diego, CA
Así está la cosa, Sala de Exposiciones de Televisa, México City, México Coleccion la Caixa, Foundation “la Caixa”, Barcelona, Spain
Arte Latinoamericano Actual, Museo Alejandro Otero, Caracas, Venezuela

1996
Defining the Nineties, Museum of Contemporary Arts (MOCA), Miami, FL Universallis, XXIII Biennal de Sao Paulo, Sao Paulo, Brazil
Camargo Vilaça Bis, Galería Camargo Vilaça, Sao Paulo, Brazil
Sin Fronteras, Museo Alejandro Otero, Caracas, Venezuela

1995
‘95 Kwangju Biennale, Kwangju, South Korea
World Wide Video Festival, The Hague, The Netherlands

1994
Cocido y Crudo, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain Sandra Gering Gallery, New York, NY
Annual Benefit Auction, The New Museum of Contemporary Art, New York, NY John Currin, Kate Buckhardt, Jose Antonio Hernández-Díez, Tony Ousler, Lorna Simpson, Sue Williams, Galleria Galliani, Génova, Italy
Bienal de La Habana, Havana, Cuba
Annual Benefit Auction, The New Museum of Contemporary Art, New York, NY

1993
CCS-10/Arte Venezolano Actual, Galeria de Arte Nacional, Caracas, Venezuela Aperto ’93: Emergency/Emergenze, XLV Biennale de Venezia, Venice, Italy
The Final Frontier, The New Museum, New York, NY
Nuevas Adquisiciones 1991-1992, Galeria de Arte Nacional, Caracas, Venezuela

1992
Ante América, Biblioteca Luis Angel Arango, Bogotá, Colombia; Museo de Artes Visuales Alejan- dro Otero, Caracas, Venezuela; Queens Museum, New York, NY
Yerba Buena Center for the Arts, San Francisco, CA
I Bienal Barro de America, Museo de Arte Contemporaneo de Caracas Sofia Imber, Caracas, Ve- nezuela
Sexta Edicion Premio Eugenio Mendoza, Sala Mendoza, Caracas, Venezuela

1991
Venezuela/Nuevas Cartografias y Cosmogonias, Galeria de Arte Nacional, Caracas, Venezuela
III Bienal Nacional de Arte de Guayana, Museo de Arte Moderno Jesus Soto, Ciudad Bolivar, Vene- zuela
El Espiritu de los Tiempos, Galería Los Espacios Cálidos, Ateneo de Caracas, Caracas, Venezuela Video-escultura ’91, Sala RG, Caracas

1990
Los 80: Panorama de las Artes Visuales en Venezuela, Galerie de Arte Nacional, Caracas, Venezue- la
III Bienal de Video Arte, Museo de Arte Moderno de Medellín, Medellín, Colombia

1989
I Reseña de Arte en Video, Sala RG, Caracas, Venezuela Video Instalaciones, Galeria Sotavento, Caracas, Venezuela

1988
IX Festival Internacional de Super 8 y Video, Brussels, Belgium
I Biennal Nacional de Artes Plásticas, Modalidades de Expresiones Libres y Fotografía, Galería de Arte Nacional y Galería Los Espacios Cálidos, Caracas, Venezuela

SELECTED  BIBLIOGRAPHY

– The New-York Times, “Jose Antonio Hernandez-Diez”, Holland Cotter, August 8, 2003

“Jose Antonio Hernandez-Diez”, exhibition catalogue for traveling retrospective, The New Museum, NY, 2002

– Bomb Magazine, “Jose Antonio Hernandez-Diez”, Carlos Brillembourg, Winter 2000, pp. 92-94. Carnegie International 1999/2000, catalogue text, Madeleine Grynsztejn, Carnegie Museum of Art, Pittsburgh, 1999

– Cream: Contemporary Art in Culture; 10 Curators, 10 Writers, 100 Artists, selected by Dan Ca- meron, Phaidon Press, London, 1998

– The Village Voice, “Art: Film Noir; Spectacular Optical at Thread Waxing Space,” June 30, 1998. The New York Times, “Spectacular Optical at Thread Waxing Space,” Roberta Smith, July 5, 1998, p.29

– Poliester, “Jose Antonio Hernandez-Diez,” Jesus Fuenmayor, vol. 6, #21, Winter 1997-98, pp. 28- 31
– Art Nexus, “Jose Antonio Hernandez-Diez at Sandra Gering Gallery,” Nicolas Guagnini, January – March 1997

– Trans, “Studio Visit with Jose Antonio Hernandez-Diez,” Jesus Fuenmayor, vol. 1, #2, 1996 Poliester, “The End of the Age of Innocence,” Jesus Fuenmayor, vol.4, #14, Winter 1995-96, pp. 26- 33

– Exhibition catalogue, “Jose Antonio Hernandez-Diez,” essay by Jesus Fuenmayor, Galeria Camar- go Vilaca, Sao Paolo, September 1995

– Jornal de Tarde, “Brincadeiras Conceituais,” Georgia Loacheff, September 4, 1995

– O Estado de Sao Paolo, “Skates viram objetos de arte na galeria,” Angelica de Moraes, September 4, 1995

– Exhibition catalogue, “Kwangju Biennale 1995 – Beyond the Borders,” Kwang-Ju Biennale Foundation, 1995

– Art in America, “Jose Antonio Hernandez-Diez at Sandra Gering,” Yasmin Ramirez, September 1995

– Estilo, “Hernandez-Diez de andanzas expositivas por el mundo,” Registro, Ano 6, No. 24, 1995, p.14

– Art Nexus, Reviews, Alice Yang, July-September 1995, pp. 143-44

– Artforum, “Jose Antonio Hernandez-Diez at Galeria Camargo-Vilaca,” Adriano Pedrosa, Septem- ber 1995, pp. 96-97

– ARTnews, “Rising Stars Under 40,” Anastasia Aukeman, special issue, 1995

– The Universal, “Jose Antonio Hernandez-Diez: Una vision dionisiaca y ctonica de su obra,” Ignacio Enrique Oberto, June 4, 1995

– Exhibition catalogue, “Cocido y Crudo,” curated by Dan Cameron, Museo Nacional Centro de Arte Reina Sofia, Madrid, 1995

– The New York Times, “Art in Review,” Holland Cotter, August 12, 1994

– Exhibition catalogue, “A Long Scream One Day,” essay by Francesco Bonami, Galleria Galliani, Genova, 1994

– Art Nexus, “La alegoria y la escala,” Luis Perez Oramas, No.12/April – June 1994, pp.80-84

– Third Text: Third World Perspectives on Contemporary Art & Culture, “Ante America,” Dan Came- ron, Spring 1994

– Artforum, “The Final Frontier,” Laura U. Marks, December 1993, p.83

– Flash Art, “The Final Frontier,” Adrian Dannatt, No.172, October 1993, p.79

– Parkett: Cumulus, “Alternative Paths for the Noble Savage,” Carolina Ponce de Leon, No. 38, 1993, pp. 154-61

– Poliester, “Jose Antonio Hernandez-Diez,” Jesus Fuenmayor, No.7, Fall 1993, pp. 48-51
– The Village Voice, “Museum Bytes Dog: The Final Frontier,” Elizabeth Hess, June 15, 1993 – Flash Art, “News from Post-America,” Berta Sichel, 1993, pp. 86-89
– Flash Art, “Jose Antonio Hernandez-Diez,” Jesus Fuenmayor, 1993, pp. 304-5
– Art & Auction, “Artificial Paradise,” Dan Cameron, May 1993, pp. 90-94
– Ante America, “Jose Antonio Hernandez-Diez,” Meyer Vaisman, 1992
– Artforum, “Jose Antonio Hernandez-Diez,” Meyer Vaisman, April 1992, p. 92